This book examines the theory originally raised in Gilles Deleuzeâs philosophy of film that cinema has the power to restore our trust in the world. FrÃchtl demonstrates that cinema does this in three main ways: by restoring our belief in the absurd in the body and in a sceptical abstention from judging and acting. Cinema shares this ability with other arts but what sets it apart in particular is that it evokes Modernity and its principle of subjectivity. This book further develops the idea of trust and cinema by synthesizing the philosophies of complementary thinkers such as Kant Nancy Agamben Benjamin and RanciÃre. It concludes with examination of Cavellâs solution to the problem of scepticism and a synthesis of Kantian aesthetic theory with Cavellian pragmatism. Originally published in German under the title Vertrauen in die Welt this English-language translation features a new introduction that situates FrÃchtlâs work within contemporary analytical philosophy of film. It will be of interest to scholars working in Continental aesthetics philosophy of film and film theory. . Language: English